Observations I & II - For my friend Valeriya in Ukraine

An original work for string quartet in two movements written by Wellington composer William Philipson, and played by members of The New Zealand Symphony Orchestra.

The work is dedicated to Valeriya Golovina, a Ukrainian filmmaker and friend. The work is a reflection on turmoil created in the wake of the Russian invasion of Ukraine.

The work originated from support from Chamber Music New Zealand, through their Composer Woodshed program.

WATCH/LISTEN

First Movement

Second Movement

“On February 24th, 2022 I woke up to the sound of explosions. During the first days of Russia’s full scale invasion of Ukraine all I could do was watch the news and check on my family and friends in the frontlines and bomb shelters. I couldn’t read books, view TV series or listen to music. When the Internet was down, I didn’t know where else the attacks were going on. Two weeks into the war I finally went around my occupied town to see if the grocery stores had anything left, and realised that I haven’t listened to music in awhile. It was hard to choose something that wouldn't make me burst into tears.

I tried my best to keep in touch with my foreign friends. I couldn’t quite convey in writing the raw emotions I experienced, so I sent William “Good Night, Day” by Jóhann Jóhannsson (a piece blending traditional orchestration with contemporary electronic elements). Slowly I was able to listen to more music. Not as a way of comfort or boosting my morale but more as a way of living through the days that felt scary, long, and dark.

When William shared the music he wrote, I thought that he captured mine and Ukraine’s inner states in a meaningful and nuanced way. It felt that as friends and colleagues we were closer than ever. Many abroad think that there is not much they can do to help Ukraine, but every little bit matters whether that’s creating art, sending a donation or supporting your friend. Music is a powerful weapon, and so is silence.”

Valeriya Golovina

Before writing the piece

Making films together
In 2019 Valeriya and I first met, at the time she was working on her short documentary Mawhialeo Ote Alowha. I soon jumped aboard to score the film. The film was a beautiful intimate story following a Wellington based family, who left their home Tokelau for New Zealand seeking a better life for their blind son.  The story was told so respectfully and with such maturity, that I immediately knew that it was something extremely special. The film went on to play in the 2020 Hawai‘i International Film Festival, as well as the 2021 Doc Edge Film Festival, as well as many others. Through the making of this film we soon became friends.

The genesis of the piece
In 2020 Valeriya left New Zealand and returned home to Ukraine to be with her family. When the war broke out, Valeriya asked me if I could write something about the situation. I struggled with this, unsure of what I could say, and what that would look like. Any ideas to write something I quickly discarded.

Composing Observations

Chamber Woodshed
Earlier in the year I had the opportunity to workshop ideas with a string quartet through the Composer Woodshed initiate from Chamber Music New Zealand. Through this initiate I explored a number of interesting music ideas, although I had initially thought this to be a completely separate project to writing a piece for Valeriya, I found that it was certainly informing the music I was writing. After the workshop I took these ideas and wrote the full piece.

It is called Observations, because that was my experience of the war in Ukraine. My experience of the events has been observing from afar— observing events through social media, the news, messages with Valeriya. I would feeling frustrated, angry and worried, but not being able to help, and at the same time having normal life weirdly continuing as normal.

Recording at Stella Maris
I played the rough recordings we made at the 2022 Nelson Composer’s Workshop to Valeriya, and after her positive response. I decided that I had to get it properly recorded. Observations I & II was recorded by members by members of The New Zealand Symphony Orchestra by master sound engineer John Neill. The recording session was filmed by local filmmaker Luke Ross.

Gallery

Our album cover was created by Ukrainian illustrator Albina Kolesnichenko, the artwork is titled Light Overcomes Darkness, and depicts a closed fist opening and radiating with light.

Biography


William Philipson is a composer and music editor based in Wellington, New Zealand.

In the past he has forced primary on writing for film and television. In May 2023 he became the composer for the long running soap-opera Shortland Street. He also composed the score for the 2021 feature documentary High Tide Don't Hide which followed the school strike for climate in New Zealand. This film played across cinemas in New Zealand as part of the 2021 Doc Edge Film Festival, before it headed to the prestigious Hawai‘i International Film Festival. The film was then shown on TVNZ in New Zealand and PBS in the United State. The film was also shown in New Zealand parliament in a special event hosted by politician Chloë Swarbrick the day after a climate emergency was declared. He also worked as a composer on the 2020 horror- comedy film DEAD (along with Tom McLeod, and James Euringer). This feature film was released on September 17th to a nation-wide cinema release, and can now be watched on TVNZ.

In 2022, Philipson received the prestigious APRA Professional Development Award. He is also a committee member and secretary of the Screen Music & Sound Guild of New Zealand, where he advocates for young and emerging composers to help create clear and accessible career pathways into the screen industry.